During the last week or so, might been mmore I´ve been working hard with one of My latest tune´s "COLD STEEL"
It may well be a common problem among musicians, the search for the perfect sound, regarding both the sound coming out of the amplifier´s and the sound recorded. Sometimes, well almost always I do get desperate in Me search for the perfect sound. With the hope to make a recording that sound as perfect as the sound you can hear inside your head.
To record a song is´nt an easy job at all. Maybe if you set up your band and record everything live, you´ll get the sound if not perfect, almost good.
So You start collecting and buying loads of recording equipment that fills your entire home-studio.
It may well be a common problem among musicians, the search for the perfect sound, regarding both the sound coming out of the amplifier´s and the sound recorded. Sometimes, well almost always I do get desperate in Me search for the perfect sound. With the hope to make a recording that sound as perfect as the sound you can hear inside your head.
To record a song is´nt an easy job at all. Maybe if you set up your band and record everything live, you´ll get the sound if not perfect, almost good.
So You start collecting and buying loads of recording equipment that fills your entire home-studio.
So once again I started the process of recording my song as I thought it was´nt perfect, it didnt sound the way I wanted it. By now the the two small rooms in our former guesthouse has been turned into My studio and stacked with gear. There´s even a so called controlroom.
Beeing an ole man, I still live in the world of Reel-to-Reel recording. Those was the day´s. Today I´ve been modernised slightly using my computer and the possibilities of a recording program called "AUDACITY". A program that was found free at the net, and after the first weeks of testing it It proved to work for me.
The intention with this program may well have been to contruct a modern program with the possibilities of today, but I use it in a similar manner as I use a multichannel taperecorder.
In other word´s, I do record each channel separatly. This means that every recording must be if not perfect, then almost perfect. I cant play the wrong chord-note.
So I start the job with searching for the right drumpattern in one of my keyboards. The old Casio CTK was really nice during the last years, but at this very moment I seam to prefere the drumpatterns from my latest gadget, the Yamaha unit.
Beeing an ole man, I still live in the world of Reel-to-Reel recording. Those was the day´s. Today I´ve been modernised slightly using my computer and the possibilities of a recording program called "AUDACITY". A program that was found free at the net, and after the first weeks of testing it It proved to work for me.
The intention with this program may well have been to contruct a modern program with the possibilities of today, but I use it in a similar manner as I use a multichannel taperecorder.
In other word´s, I do record each channel separatly. This means that every recording must be if not perfect, then almost perfect. I cant play the wrong chord-note.
So I start the job with searching for the right drumpattern in one of my keyboards. The old Casio CTK was really nice during the last years, but at this very moment I seam to prefere the drumpatterns from my latest gadget, the Yamaha unit.
The drumpattern is then recorded in stereo. In this tune I also used the programs built in equaliser to make this pattern sound the way I wanted.
Next step is to record a rhytmguitar as a main structure for the song, this will possibly later be deleted in favour of new rhytmguitar channels. I mainly use my very nice Rämje Stratocaster as a Rhytmguitar thrue a VOX amplifier.
After a couple of hours playing different styled rhytmguitars its time to play the bass. One of me three basses will be used with the same VOX amp line´d directly to the mixer. During the last weeks I´ve been using the inbuildt Octaviser a lot to get an extra low bassound. When this the first bass channel is recorded its time to fire the big one. My latest gadget is a 100 watts Burns-Baldwin bassamplifier with 2x15 inch speakers. The sound of this unit is in one word extreme. Three different microphones in front of the cabinet.
Finally I use two channels to record the leadguitar. One of them distorted with the help of a Burns Buzzaround Fuzxzbox from the early 60´s. the other one clean.
Almost or at least partly finished I start to mix each channel using three different sets of monitors. All in hope to get the best sound possible.
Next step is to record a rhytmguitar as a main structure for the song, this will possibly later be deleted in favour of new rhytmguitar channels. I mainly use my very nice Rämje Stratocaster as a Rhytmguitar thrue a VOX amplifier.
After a couple of hours playing different styled rhytmguitars its time to play the bass. One of me three basses will be used with the same VOX amp line´d directly to the mixer. During the last weeks I´ve been using the inbuildt Octaviser a lot to get an extra low bassound. When this the first bass channel is recorded its time to fire the big one. My latest gadget is a 100 watts Burns-Baldwin bassamplifier with 2x15 inch speakers. The sound of this unit is in one word extreme. Three different microphones in front of the cabinet.
Finally I use two channels to record the leadguitar. One of them distorted with the help of a Burns Buzzaround Fuzxzbox from the early 60´s. the other one clean.
Almost or at least partly finished I start to mix each channel using three different sets of monitors. All in hope to get the best sound possible.
As I did´nt find the earlier recordings of the song good enough, I wanted to try out a new sollution to my problem. So with the mix in order I followed my normal way of working. The song was recorded on my MiniDisc unit, and from that moved to a tape recorder.
The result showed that those old Reel-to-Reel recorders still do the job! Suddenly the recording did sound much better.
complet chain of gadgets look like this:
Computer using AUDACITY and a Focusrite and and external recording mixer.
Computer using AUDACITY and a Focusrite and and external recording mixer.
channel 1-2 / Drumpattern of aYamaha keyboard line´d into the recording mixer.
channel 3 / a Rhytmguitar that gives a clue of the chord structure of the song,
later to be deleted.
channel 4-5-6 / Rhytmguitar, usually a Rämje Stratocaster line´d with a VOX AD60VTX. buildt in reverb used and AC30 settings.
channel 7 / Bass. In this song a Höfner Violin COPY used for the bassline. The VOX amp with both reverb and octaviser is used lined to the mixer.
channel 8 / Bass. The same bass used but now connected to my Burns-Baldwin BB100 amp with 2 x 15 inch speakers. 3 different microphones used to record its great sound.
channel 9-10 / Lead guitar. the Burns Marquee thrue a Burns Buzzaround fuzzbox, to a Burns Orbit Three amplifier is used or the VOX amp when I want some echo in the sound.
channel 3 / a Rhytmguitar that gives a clue of the chord structure of the song,
later to be deleted.
channel 4-5-6 / Rhytmguitar, usually a Rämje Stratocaster line´d with a VOX AD60VTX. buildt in reverb used and AC30 settings.
channel 7 / Bass. In this song a Höfner Violin COPY used for the bassline. The VOX amp with both reverb and octaviser is used lined to the mixer.
channel 8 / Bass. The same bass used but now connected to my Burns-Baldwin BB100 amp with 2 x 15 inch speakers. 3 different microphones used to record its great sound.
channel 9-10 / Lead guitar. the Burns Marquee thrue a Burns Buzzaround fuzzbox, to a Burns Orbit Three amplifier is used or the VOX amp when I want some echo in the sound.
So once more, here´s the latest recording made of this simple tune.
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